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Nicolas |
30/04/2021-16:16:48 |
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Is this then purely an achievement of plotting? The narrative structure intrigues, moving Rashomon-like between viewpoints and the bounds of each character’s separate sphere of knowledge, without ever losing the reader, various characters playing detective then stepping aside. The novel has many attributes – excellent dialogue, humour, great observation, as when two acquaintances at a party share the same expression: “The distant, slightly disappointed aspect of one who is comparing the scene around him, unfavourably, to other scenes, both real and imagined, that have happened, and are happening elsewhere.” It uses the historical setting as a backdrop and has a gregarious cast of characters (the brilliantly named Emery Staines, the demonic con woman Lydia Wells). But the things that most impress are the cunning withholding of information, the elegant foreshadowing, the skilful looping back on the narrative.
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