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This last is no minor consideration, considering that Allen – born Allen Stewart Konisberg in The Bronx – claims to have become aware of his own mortality and the existential abyss at the tender age of five. “I remember the dark cloud descending then, and I`ve walked around under it my entire life,” he says matter-of-factly. “There`s a neuro-biological theory that these things are imprinted, hardwired – this guy`s gloomy, this one`s sunny – and there`s nothing you can do about it. We`re not born with a clean slate, as Sartre would have you think; rather, we have a little photograph on our negative and it`s how you manage that in the developing fluid. Some manage that process better than others, but the imprint is always there. So I need to work to keep my gloom at bay.” Which could explain his relentless daily routine. “I get up in the morning, get the kids off to school, do the treadmill, go into my room and write, have lunch with my wife, write in the afternoon, go for a walk, practice my clarinet, write again, and that`s seven days a week, and I don`t feel boxed in with that at all, because `kicking back` is a relatively alien concept to me,” he says. Ideas – for plots, sketches, jokes – are gleaned from newspapers or conversations, scribbled on scraps of paper, and thrown in a big drawer: “Then, at the end of the year, I`ll rummage through them, and some might seem very foreign to me – `What was I thinking, a man who becomes telepathic,` and I throw it back in – but some hold up and I pursue them, broaden them out, usually on my own, but occasionally I`ll ask my wife which ones she thinks sound juicier or more fun.”
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